11th International İstanbul Biennial is curated by What, How and for Whom/WHW. The exhibition is entitled 'What Keeps Mankind Alive?', the English translation of the song 'Denn wovon lebt der Mensch?' from The Threepenny Opera, written in 1928 by Bertolt Brecht, in collaboration with Elisabeth Hauptmann and Kurt Weill. The Threepenny Opera thematises the process of redistribution of ownership within bourgeois society and sheds an unforgiving light on various elements of capitalist ideology. Brecht's assertion from this play that 'a criminal is a bourgeois and a bourgeois is a criminal' is as true as ever, and the correspondences of rapid developments of liberal economy on disintegration of hitherto existing social consensus in 1928 and in present times are striking. more...
Ninety years ago, Walter Gropius founded the Bauhaus in Weimar. It existed for only 14 years, but it became the most important school of modernity. With Josef Albers, Herbert Bayer, Marcel Breuer, Lyonel Feininger, Johannes Itten, Wassily Kandinsky, Paul Klee, Gerhard Marcks, Adolf Meyer, Georg Muche, László Moholy-Nagy, Hinnerk Scheper, Oskar Schlemmer, Joost Schmidt, Lothar Schreyer and Gunta Stölzl, a faculty with an international reputation worked under the direction of Walter Gropius (1919-1928), Hannes Meyer (1928-1930) and Ludwig Mies van der Rohe (1930-1933) at the Bauhaus.
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The beauty and wonder of nature have provided inspiration for artists and architects for centuries. Since the 1960s, the increasingly evident degradation of the natural world and the effects of climate change have brought a new urgency to their responses. Radical Nature is the first exhibition to bring together key figures across different generations who have created utopian works and inspiring solutions for our ever-changing planet. Radical Nature draws on ideas that have emerged out of Land Art, environmental activism, experimental architecture and utopianism. The exhibition is designed as one fantastical landscape, with each piece introducing into the gallery space a dramatic portion of nature. more...
James Ensor (1860–1949) was a major figure in the Belgian avant-garde of the late nineteenth century and an important precursor to the development of Expressionism in the early twentieth. In both respects he has influenced generations of later artists. This exhibition presents approximately 120 works, examining Ensor's contribution to modernity, his innovative and allegorical use of light, his prominent use of satire, his deep interest in carnival and performance, and his own self-fashioning and use of masking, travesty, and role-playing. Examples of Ensor's paintings, prints, and drawings are installed in an overlapping network of themes and images to produce a complete picture of this daring, experiential body of work. more...
Whether photographing politicians, artists, writers, fashion models, or movie stars, Richard Avedon revolutionized the genre of portraiture. He rejected conventional stiff-and-staid poses and instead captured both motion and emotion in the faces of his subjects, often encapsulating their intrigue in a single charged moment. SFMOMA is proud to be the only U.S. venue for this retrospective that spans the artist's remarkable career. Featuring more than 200 photographs along with a selection of vintage magazines, the exhibition presents work spanning Avedon's entire career, from his earliest street scenes to his breakthrough 1950s Paris fashion pictures and the iconic celebrity portraits that brought him world renown. more...
LACMA and the Museum of Fine Arts, Houston (MFAH) will present the first major museum exhibition in the United States to focus on contemporary art from South Korea. The exhibition features work by a generation of artists who have emerged since the mid-1980s—some well-known and others on the brink of recognition—working on the cutting edge of international art trends and within a distinctly Korean context. Featuring site-specific installations as well as video, computer animation, and sculpture, the exhibition represents each artist through a large-scale installation piece or substantial body of work. Curators: Lynn Zelevansky, Contemporary Art, LACMA; Christine Starkman, Curator of Asian Art, MFAH; and Kim Sunjung, Director Samuso, Seoul, South Korea.
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Cheim & Read is pleased to announce a group exhibition of women artists depicting the female form. With this premise, the show seeks to present a collection of works which reclaim the traditional domination of the “male gaze” and reorient the significance of the female figure to allow for more varied interpretations. A variety of mediums will be shown —sculpture, photography, video, painting and installation— and several different women artists represented, including: Berenice Abbott, Marina Abramovic, Ghada Amer, Diane Arbus, Vanessa Beecroft, Lynda Benglis, Louise Bourgeois, Kathe Burkhart, Julia Margaret Cameron, Victoria Civera, Rineke Dijkstra, Marlene Dumas, Anh Duong, Judith Eisler, Tracey Emin, Ellen Gallagher, Nan Goldin, Katy Grannan, Jenny Holzer, Roni Horn, Chantal Joffe, Deborah Kass, Maria Lassnig, Zoe Leonard, Sally Mann, Marilyn Minter, Joan Mitchell, Alice Neel, Shirin Neshat, Collier Schorr, Joan Semmel, Cindy Sherman, Mickalene Thomas, Hannah van Bart, Hellen van Meene, Kara Walker, Francesca Woodman and Lisa Yuskavage. more...
The 53rd International Art Exhibition, titled Fare Mondi // Making Worlds // Bantin Duniyan // Weltenmachen // Construire des Mondes // Fazer Mundos, directed by Daniel Birnbaum and organized by La Biennale di Venezia chaired by Paolo Baratta, is open to the public from June 7th to November 22nd 2009 in the Giardini (50,000 sq.m.) and the Arsenale (38,000 sq.m) as well as in various other locations around the city. The Director of the 53rd Exhibition, Daniel Birnbaum, has been Rector of the Staedelschule Frankfurt/Main and its Kunsthalle Portikus since 2001. Making Worlds, presented in the renewed Palazzo delle Esposizioni in the Giardini and in the Arsenale, is a single, large exhibition that articulates different themes woven into one whole. It is not divided into sections. Considering collectives, it comprises works by over 90 artists from all over the world and includes many new works and on-site commissions in all disciplines. more...
Francis Bacon: A Centenary Retrospective (66 paintings and 65 objects from his studio) at the Metropolitan Museum of Art in New York (MET) seeks to reevaluate the artist’s work based on new interpretations and archival materials that have emerged since his death in 1992. The exhibition was organized by Gary Tinterow of the MET (along with Chris Stephens and Matthew Gale of the Tate Britain). The main point of the show is to demonstrate that Bacon did not lose his force and vitality as a painter after the 1960’s (he lived until 1992). The show, which succeeds in this goal, has already appeared at the Tate Britain, London, and the Prado in Madrid. more...
As the international tour of the last Gilbert & George retrospective (2007–2009) did not include Berlin, Arndt & Partner are now all the more delighted to present a solo exhibition of the celebrity artist duo in its gallery rooms behind the Hamburger Bahnhof. It is the first Gilbert & George solo show in Berlin for 14 years. The exhibition features a selection of 20 large-scale pieces from the Jack Freak Pictures, the largest Gilbert & George group of pictures to date. The thrust of the content is given by the colors and shapes of the Union Jack flag that dominate the bulk of the pictures as well as the recurring motive of medals, emblems and trees. In the Jack Freak Pictures the artist duo explores aspects of nationhood and of the sentient individual in the nets of society. more...